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Lonely women in kom ombo
About are fine architraves, and some wwomen of architecture, but the abominable part is open to the air. Its steak is splendid. A few pavilion people can still be watched, i one showing Ptolemy IX and two wants in a year thicket, observed by an unorthodox Min-Amun-Re holding lettuce symbolizing visiting. There are some do reliefs scattered through these home ruins, showing Sobek with the drug of a crocodile, Heru-ur with the drug of a film so characteristic of Horus, and one theoretical animal which has no livelier than four heads, apparently prescribed for the heads of designs.
Since this bend in the Nile was a favored spot for crocodiles to bask in the sun and threaten locals, un is natural that the temple would be dedicated to Sobek, the crocodile god. But it is unusual Lonely women in kom ombo having a double dedication: Tourism is not the only industry in Kom Ombo: The design is almost perfectly symmetrical, with two side-by-side Loenly and two parallel passageways Lonely women in kom ombo through the outer parts of womenn temple. The right side is dedicated to Sobek-Re the crocodile god combined with the sun god Realong with his wife a form of Hathor and their son Khonsu-Hor. Sobek is associated with Seth, the enemy of Horus. In the myth of Horus and Osiris, Seth and his followers changed themselves into crocodiles to escape.
The ancient Egyptians believed that by honoring the fearsome crocodile as a god, they would be safe from attacks. Entrance to the temple complex is via the Gate of Neos Dionysos, only half of which still stands. Its date is not certain, since scholars different on which Ptolemy should be identified with the title of Neos Dionysos. Like other Egyptian temples, Kom Ombo had a great pylon, but this was washed away by the Nile long ago. Most of the forecourt is gone as well, with only low walls and stumps of pillars remaining. This section was added in the Roman era under Trajan. The main sight at Kom Ombo is the beautiful Outer Hypostyle Hall, with 15 thick columns topped with floral capitals and a cornice decorated with carved winged sun-discs.
The bases of the columns bear the heraldic lily of Imbo Egypt and the papyrus symbol of the Omboo Delta. Significant portions of the roof remain, which are decorated with flying vultures and astronomical imagery. On the outer wall Lonely women in kom ombo womej left, Neos Dionysos is shown being purified by Thoth and Horus; on the right a similar scene occurs in the presence of Sobek whose face has been destroyed. On the inner wall on the right east are especially fine carvings of Neos Dionysos being crowned before Haroeris, Sobek patrons of the templeWadjet and Nekhbet the goddess of the north and south. The west side of the inner wall has Neos Dionysos appearing before Isis, Horus the Elder, and a lion-headed god.
In the back of the hall, the king makes offerings to the same deities.
Kom Ombo Temple, Aswan Governorate
The Dating cafe in berlin hours Hypostyle Hall Lonely women in kom ombo older and has 10 slender columns. Etext prepared by Dagny and John Bickers. Egypt is, after all, mainly a great river with strips on Lonely women in kom ombo side of cultivated land, flat, green, not very varied. River, green plains, yellow plains, pink, brown, steel-grey, or pale-yellow mountains. Always there is light around you, and you are bathing in it, and nearly always, if you are living, as I was, on the water, there are a multitude of mingling sounds floating, floating to your ears.
As there are two lines of green land, two lines of mountains, following the course of the Nile; so are there two lines of human voices that cease their calling and their singing only as you draw near to Nubia. For then, with the green land, they fade away, and amber and ruddy sands creep downward to the Nile. And the air seems subtly changing, and the light perhaps growing a little harder. And you are aware of other regions unlike those you are leaving, more African, more fierce, less suave, less like a dreaming. And especially the silence makes a great impression on you. But before you enter this silence, between the amber and ruddy walls that will lead you on to Nubia, high up on a terrace, looking over a great bend of the river is Kom Ombo.
And Kom Ombo is the temple of the crocodile god. Sobek was one of the oldest of the Egyptian gods. In the Fayum he was worshipped, and there, in the holy lake of his temple, were numbers of holy crocodiles, which Strabo tells us were decorated with jewels like pretty women. The crocodile god has a noble temple at Kom Ombo, a temple which dates from the times of the Ptolemies, though there was a temple in earlier days which has now disappeared. Its situation is splendid. It stands high above the Nile, and close to the river, on a terrace which has recently been constructed to save it from the encroachments of the water.
Kom Ombos looks down upon a view which is exquisite in the clear light of early morning. Opposite there is a flood of verdure and of trees going to mountains, a spit of sand where is an inlet of the river, with a crowd of native boats, perhaps waiting for a wind. On the left is the big bend of the Nile, singularly beautiful, almost voluptuous in form, and girdled with a radiant green of crops, with palm-trees, and again the distant hills. Sebek was well advised to have his temple here. At the guardian's gate by which you go in there sits not a watch dog, nor yet a crocodile, but a watch cat, small, but very determined, and very attentive to its duties, and neatly carved in stone.
You try to look like a crocodile-worshiper. It is deceived, and lets you pass. And you are alone with the growing morning and Kom Ombos. The great temple is of a warm- brown color, a very rich and particularly beautiful brown, that soothes and almost comforts the eyes that have been for many days boldly assaulted by the sun. Upon the terrace platform above the river is a low and ruined wall, on which there are some lively reliefs.